I’ve felt the need to practice needlepainting ahead of my class with Alison Cole at the Inspring Threads Seminar in Toronto. Im doing the Siennese Illuminated Treasure. It’s a small piece so I want to work on my finer motor skills. I always feel clumsy when I switch between counted and surface work. So I’m going to get rid of that clumsy feeling before class.
I picked Trish Burr’s Sweat Pea to work on. It fits comfortably into a 5″ hoop. I really like needlepainting flowers. I’m allergic to the real things so this is a good way around that.
All the stitching is done on Full Bloom. I’ve assembled it and now I have to get a frame for it. I really like it. I needed the needle painting practice in advance of my EAC Seminar class in a couple of weeks.
I’m taking Alison Cole’s Siennese Illuminated Treasure and Kathryn Drummond’s Bluebells. It will be this year’s “fancy” vacation. All together I will have three days of free time. Naturally I’ll be going to the ROM, the Bata Shoe Museum and the Textile Museum of Canada. Other touristy stuff as well but right now I’m just playing it by ear.
My goal was to have this reticule finished by the time I went to the EAC Seminar “Inspiring Threads”. With less than a month to go I can say that I’ll have the embroidery done for sure but not that I’ll have the reticule seen together.
I have the vine pattern on all four panels complete, one the of panels completed and a second close behind.
I also have to finish a retirement gift for my co-worker by the end of May. I’m stitching a stump work Rose from Inspirations Magazine Issue 85 called: Full Bloom by Susan Porter. I started on the leaves over the weekend.
I hope my young cousins (twins 3 1/2 & baby 1 1/2) enjoy playing with them as much as I did making them. I didn’t have the right yarn colour for eggs to go with the bacon.
The actual post that got my subconscious interested in learning Tambour embroidery was from a December 2014 post by Mary Corbet. She posted a design for a Christmas tree that I love (see post here). In it were the words…”especially suitable for Tambour embroidery…” Naturally I had to follow the link about Tambour embroidery and my interest was peaked. So when I saw an early 19th century reticule that was done in tambour embroidery I had a frame of reference, and when my guild decided to reproduce that reticule I was glad for the excuse to finally learn the technique. In the lull of waiting for the materials for my reticule project to arrive I printed off the Christmas Tree design that originally interested me and stitched it with my Tambour hook. The fabric is red cotton and the thread is metallic gold machine embroidery thread.
I’ve been working on tambour embroidery every day for over a month now. I am satisfied that I can now tackle the reticule reproduction. Initially I would turn the frame to do a shape…now I don’t. I was using a needle to plunge thread and help me turn…now I use the tambour needle. I have better and more consistent tension than before…to begin with I was pulling too tight. My stitches are more uniform as well. I’m pleased that the work I’ve put into learning is paying off.
I’ll be starting on the real thing in a month. The fabric is ordered and I’m picking it up today. Now to figure out which pattern transfer method to do. I’m leaning towards prick and pounce because that is historically accurate and because I don’t like using pencil on this type of project. I find the lead gets on the threads. I only know how to do prick and pounce in theory…we’ll see what happens.