I have to kit 11 reticules. So it’s a little important to determine the lengths required of either DMC Floss or silk. I had a scrap of fabric (muslin I think) and tacked it onto a frame. It isn’t the final shape of the vine border, I’ve made some changes after having seen the actual reticule in person again. This shape suits my purposes though. I measured the floss required for stitching the border and then decided to put a flower inside and start on that. I’m also keeping track of the floss I’m using on the Rose.
I noticed something rather funny this morning. I normally have about 30 minutes to sit down in the morning before leaving for work. I spend the time stitching, knitting or crocheting. This morning I was practising tambour. My cat, Abbie, is 15 years old and as a kitten she was very interested in my embroidery. She would often lie down on my knees and press her paws against the back of the linen and I would see her nails poking through. As the years went on she has settled with sleeping/sitting next to me and not shown a big interest in my embroidery.
This morning as I was putting in some stitches with my tambour hook I notice that Abbie is sitting next to me paying very close attention. I am able to move faster with the stitches now…still a snails pace I’m sure, but fast enough to catch the cat’s eyes. The thread in my left hand, under the frame moves around a lot and she was sitting up with her head tilted to see under the frame.
Before, during and after stitching I’ve been comparing what I am attempting with the original. Since I am a beginner I just want to see if I can shape the tambour lines in a similar way. So far so good. I’ve noticed that I snag a lot less frequently than a week ago; I’m moving faster as well. In my current practice flowers I have been carrying the thread behind the fabric back to the starting point rather than turning the line of stitches. I was viewing Mary’s Reticule yesterday for nearly 2 hours with Lisa and we determined that Mary had turned her lines. We were also refining the colour choices for the flowers and their greenery. Mary’s Reticule has such fine, tiny stitches that by the end of the 2 hours I had a headache. In some places it was easy to decide on a colour and in others time had faded the colour so badly that it was difficult to know.
I have totally been cheating by turning my frame…that is something I have to work on not doing. Up to this point I’ve been interested in getting familiar with the hand motions involved with the Tambour hook. Now I am onto not turning the frame and turning corners.
I’ve seen tambour embroidery around…mainly on Needle ‘N Thread. Thought it would be interesting to learn “someday” but had no real incentive to purchase the tambour hook. Well that has changed. My guild, Town Clock Stitchers, is doing a program this year which definitely encouraged me to learn. Our monthly meetings are held in the Nova Scotia Natural History Museum project room downstairs. One of our members is the assistant curator for their History Collection. The History Collection isn’t on permanent display at the museum so it was a real treat when we arranged through our member to see a few items she pre-selected for us. Among these items was a reticule circa 1790-1810. The reticule has 4 panels and on each panel is a local flower done in Tambour embroidery. Very beautiful.
Our guild executive committee wanted to do something more engaging for our members. We are offering a Bargello project and a surface embroidery project. The surface embroidery project is a reproduction of the reticule. I’ll be doing the reticule.
For embroidery that is over 200 years old we actually know a lot of information about the person that stitched it. The embroiderer was named Mary Boggs Tremaine. She was from a Loyalist family (Boggs) in New Jersey that moved to Nova Scotia. There will be 10 people working on creating reticules based on Mary’s original. We will all be using a pattern I’ve developed by importing the images and tracing the outlines of the vine border and the floral motifs digitally. Of that group of 10 people 8 are learning Tambour.
I saw this pattern on Elizabeth Almond’s site Blackwork Journey (it’s a freebie) and decided to work on it since I already have the fabric and threads. It’s a total of 36 small patterns released in blocks of 6 at a time. March is the first release of six patterns. I did the border outline for the full 36 patterns and am doing them in colour. I have a bunch of Weeks Dye Works, old Needle Necessities and other various over dyed threads in my stash so I am going to use those. Now when each block is released I can have a little mini vacation from whatever I happen to be working on at the time.
I have been working on Blackwork Journey by Elizabeth Almond. There are copper, silver and gold threads and beads for accents.